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Franz Xaver Winterhalter
Princess Charlotte of Belgium
1842
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Franz Xaver Winterhalter
Charles-Jerome, Comte Pozzo di Borgo
1849
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Franz Xaver Winterhalter
A Young Girl called Princess Charlotte
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Franz Xaver Winterhalter
Charlotte Stuart, Viscountess Canning
1849
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Franz Xaver Winterhalter
The Empress Eugenie Holding Louis Napoleon, the Prince Imperial on her Knees
1857
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Franz Xaver Winterhalter
The Empress Eugenie
1854
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Franz Xaver Winterhalter
Alexandra, Princess of Wales
1864
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Franz Xaver Winterhalter
Princess Alice
Princess Alice
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Franz Xaver Winterhalter
Alfred-Emilien, Comte de Nieuwerkerke
1852
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Franz Xaver Winterhalter
Franz Joseph I, Emperor of Austria
1865
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Franz Xaver Winterhalter
Adelina Patti
1863
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Franz Xaver Winterhalter
Prince Alfred and Princess Helena
1849
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Franz Xaver Winterhalter
Helene Louise Elizabeth de Mecklembourg Schwerin, Duchess D'Orleans with Prince Louis Philippe Alber
1839
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Franz Xaver Winterhalter
Young Italian Girl by the Well
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Franz Xaver Winterhalter
Jadwiga Potocka, Countess Branicka
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Franz Xaver Winterhalter
Julia Louisa Bosville, Lady Middleton
1863
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Franz Xaver Winterhalter
Katarzyna Branicka, Countess Potocka
1854
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Franz Xaver Winterhalter
Francoise Caroline Gonzague, Princesse de Joinville
1844
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Franz Xaver Winterhalter
Leopold I, King of the Belgians
1840
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Franz Xaver Winterhalter
Malcy Louise Caroline Frederique Berthier de Wagram, Princess Murat
1854
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| Franz Xaver Winterhalter
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German 1805-1873
Franz Xaver Winterhalter Galleries
German painter and lithographer. He trained as a draughtsman and lithographer in the workshop of Karl Ludwig Scheler (1785-1852) in Freiburg im Breisgau and went to Munich in 1823, sponsored by the industrialist Baron Eichtal. In 1825 he began a course of study at the Akademie and was granted a stipend by Ludwig I, Grand Duke of Baden. The theoretical approach to art of the Akademie under the direction of Peter Cornelius was unfamiliar to him, as in Freiburg he had been required to paint in a popular style. He found the stimulus for his future development in the studio of Joseph Stieler, a portrait painter who was much in demand and who derived inspiration from French painting. Winterhalter became his collaborator in 1825. From Stieler he learnt to make the heads of figures emerge from shadow and to use light in the modelling of faces. He moved to Karlsruhe in 1830 with his brother Hermann Winterhalter (1808-92), who had also trained with Scheler and had followed him to Munich.
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